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Bio
Demeter Tsounis was born in Adelaide, South Australia, of Ikarian and Pontian parents. She studied western classical music, Aboriginal music, ethnomusicology and anthropology at the University of Adelaide where she undertook original research into the music of Greek-Australian migrants (Multicultural Music-Making and Dancing at Wedding Receptions: A Study of the Music-Making and Dancing Activities of Greek People in Adelaide, Unpublished Honours thesis, 1986; Rebetika Music-Making in Adelaide-Diaspora Musical Style and Identity, Unpublished PhD thesis, 1997). She is the author of several publications Greek music.
Demeter has performed in, arranged and directed ensembles, choirs and concerts for the Greek community (Themelia, Sirens, Meraki, GOCSA, Hellenic Youth of SA Theatre, Festival Hellenika, Glendi, Dimitria, Friends of Byzantine Ecclesiastical Music). She conducts workshops and seminars on Greek music in schools and universities. Demeter has also composed original music for theatre (Paramythi Horis Onoma), film (Adio), multidisciplinary arts projects (Shoulder to Shoulder, Bitter Song) and education (Animal Alphabet Songs, GOCSA).
During fieldwork in Greece Demeter learnt to play the baglamas (a small long-necked lute) and the toumberleki (goblet drum) at the Aristides Moschos Popular School of Traditional Music, Athens. She currently teaches piano, toumberleki and baglamas and performs and arranges traditional Greek music in the Meraki Music ensemble.
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